Harrigan and Grace - 01 - Blood Redemption

  Blood Redemption

  Harrigan and Grace [1]

  Alex Palmer

  (2001)

  * * *

  Rating: ★★★☆☆

  Tags: Mystery Detective, General, Fiction

  Mystery Detectivettt Generalttt Fictionttt

  * * *

  Award-winning new crime fiction: ′[An] intelligent and compelling thriller that turns the notion of evil inside out′ - Canberra Times. Matthew Liu sees his parents gunned down on a lonely Sydney backstreet. A young woman, the killer, stares him in the face before fleeing the scene. When the police arrive, all they find is the discarded gun. Detective Inspector Paul Harrigan′s unit is pitched into a high-profile investigation with little to go on. Who is the young woman? How can she have vanished into thin air? When DC Grace Riordan follows up a connection between one of the victims and a termination clinic, pieces start to fall into place, but Grace is forced to confront some personal demons. Harrigan has demons of his own to contend with. Burned badly in the past for refusing to turn a blind eye to police corruption, he suspects that his current team and investigation is being subtly sabotaged. Then he discovers that his own son is in email contact with the killer and that the young woman′s bloody rampage is far from over. And with a single phone call the killer draws Harrigan and Grace into her trap.

  Blood Redemption_ebook 1/9/03 2:53 PM Page i A L E X P A L M E R

  For Ches

  So ye shall not pollute the land wherein ye are: for blood it defileth the land: and the land cannot be cleansed of the blood that is shed therein, but by the blood of him that shed it.

  Numbers 35: 33

  CONTENTS

  PERFECTBOUND SPECIAL FEATURE: Crime Writing and Biography

  EPIGRAPH

  1

  Blood, in this bleak light a shining,

  2

  The garage doors slid shut with the crash

  3

  In Railway Square the traffic flowed

  4

  There were certain things Grace knew

  5

  As Lucy moved through the alternations

  6

  ‘I’m just a little puzzled,

  7

  ‘Amazing Grace.

  8

  Grace left the overhead light

  9

  Lucy Hurst raised her head

  10

  In the winter morning light,

  11

  Grace stood beside him

  12

  Afternoon light was coming

  13

  The message that hit Harrigan’s desk

  14

  On her way back up

  15

  ‘What’s all this?’

  16

  ‘Is there anyone in this picture

  17

  In the afternoon,

  18

  The morning’s newspaper

  19

  On the other side of the city

  20

  A short time after the Firewall

  21

  Grace left Whale Beach

  22

  Lucy sat out on the back doorstep

  23

  I don’t doubt that.

  24

  Less than an hour after

  25

  ‘Where do you want to go first,

  26

  When Harrigan arrived home,

  27

  In the hour before dawn,

  28

  Why did the air in the house smell

  29

  Lucy dumped the Datsun off

  30

  Harrigan wanted to make Lucy

  31

  Hunger woke Lucy.

  32

  The waiting ground on,

  33

  The lightning crashed

  34

  Harrigan was taking a catnap

  35

  Some time after Harrigan

  36

  Lucy listened as the sirens

  37

  The day was not over yet.

  38

  Grace’s shirt tore across

  ACKNOWLEDGMENTS

  PERFECTBOUND SPECIAL FEATURE: Crime Writing and Biography

  ABOUT THE AUTHOR

  CREDITS

  COPYRIGHT PAGE

  COVER

  ABOUT PERFECTBOUND

  1

  Blood, in this bleak light a shining, dark liquid, stained Grace Riordan’s coat as she sat down with the boy in the gutter. She saw it brush from his clothes onto hers as she wound her arm around his thin waist and felt him cling onto her in reply. The curt orders from Harrigan still sounded in her head: Stay with that boy. Keep him with it because we need him. She let the blood lie there, damp and untouched on the fine black wool, and said, ‘We’re here, Matthew. You hold on to me. We’ll have your mother in hospital as soon as we can.’

  Grace was forcing calmness on them both as sirens screamed and a more human racket exploded around them. A rush of people stepping either side of the boy’s shock, knocking on doors, stopping traffic, and searching the streets for a witness or a killer, whichever they might find first. Close to their feet, the paramedics treated Dr Agnes Liu where she lay on a wet road just now being strung with blue police ribbons, her breastbone broken open by a bullet. Grace did not have to tell the boy, probably only thirteen, that his mother held on by a thread. It was said in the blood on his school uniform and in the expression in his eyes, emotion displayed down to the bone, nakedness Grace chose not to look at too closely just then. She chose also not to think too much about the woman lying so near to them in the street. Later there would be time for her but not now.

  ‘What are they doing? Why are they taking so long?’

  She held Matthew Liu upright as he spoke, his compact body racked with tears. They sat in the speckling cold rain of a sun and showery day, in a dog-legged street of old terraces, warehouses of textile merchants and a red brick building hung with a discreet sign on its restored Art Deco facade: The Women’s Whole Life Health Centres Inc., Administrative Offices, Chippendale. At a distance too close to them, the corralled media had begun to gather and howl for interviews and footage.

  ‘They’re doing everything they can, Matthew,’ Grace replied, listening to her cliché. ‘Don’t think about anything except this minute right now.’

  ‘I know why. I do know why. But not Dad. I don’t understand Dad.’

  ‘If you want to talk to me about that, Matthew, you go right ahead.

  I’ll be with you all the way to the hospital and you can tell me everything you want to.’

  As she spoke, she saw the boy turn to look past her, down the short distance along the street to where his father lay on the roadway. She stopped him, turning his head away and shielding his eyes with her hand.

  ‘Don’t. There’s no point.’

  ‘No, I should. I should be able to handle it.’

  ‘No, Matthew. Don’t. Don’t do it to yourself.’

  She might have to look but the boy did not. He had seen it once already, when it happened, that should be enough for him whatever he thought. He did not fight with her.

  She glanced back to where Paul Harrigan, with a number of other police, was standing over the boy’s father. The man half sat, half lay on the street, his head resting against the front wheel of his car.

  Professor Henry Liu, late musicologist from the University of Sydney.

  Much of his face was gone but his eyes remained, open and human, staring upwards. As she watched, Harrigan reached into his pocket and taking out a large blue handkerchief dropped it over the man’s face. The fabric clung and was stained immediately into a pa
ttern of red. Grace blinked at the unexpected sight of the makeshift death mask and suppressed the recoil of her shock, the sudden in-drawing of her own breath.

  Harrigan had turned away and was walking towards them through the moving crowds, a tall man with dark blond hair, preoccupied, apparently unmoved by the scene. He did not look at her but squatted down at eye level in front of the boy. He spoke in a neutral and uninflected voice, the tone of someone who is, and remains, detached from the events occurring around him.

  ‘Matthew? Do you know who I am? My name’s Paul Harrigan and I’m in charge of this investigation.’

  In the face of a numbed response, Harrigan slipped his card into the pocket of the boy’s stained school blazer. ‘Keep that in case you need it.

  Now, I’m going to find who did this to your parents. That’s a promise.

  I’m going to find them. But I’ll need your help. I need to talk to you a little later on today about what’s happened here. Can you do that?’

  The boy nodded, his face set, his tears now dry. Harrigan put a hand on his shoulder.

  ‘Okay. We’ll get your mother into hospital first and I’ll come and see you there. This lady will be with you all the way in the ambulance.

  I just need to speak to her for a moment. Over here.’

  Grace followed him into a pocket of stillness within the constant movement of the crowd. She saw him glance down at the wet stains smudged onto her coat and then look past her, at Matthew, scanning the scene behind her for whatever was happening elsewhere. He spoke to her in the same neutral and unhurried voice he had used with the boy.

  ‘That boy is your responsibility from here on in. You make sure you keep him afloat until I can get to speak to him. Call me if you need to.’

  She did not have time to do more than nod before a paramedic pushed between them.

  ‘We’ve got to go to St Vincent’s. We’ve got to go now.’

  ‘You’d better get on your way.’

  Harrigan turned away as Dr Liu was lifted from the roadway, her son rushing towards her. Grace caught him by the hand and told herself, don’t panic, keep the boy contained.

  Keep everything contained, keep it moving. Moving someone from one place to another is only an exercise in practicality, even if they are dying and practicality is the only thing you have to offer them. She told herself this after she had followed Matthew into the ambulance.

  It raced through the city streets and he began to talk in an uncontrolled and jerky stream of words which she tried to record on her miniature cassette player. At the hospital, the reception party of hurrying people wheeling the injured woman through the corridors brought with it the strange atmosphere of emergency, of events whose outcomes are balanced on the finest, most fragile point.

  At the entrance to the operating theatre, the doors were closed in both their faces. Matthew stared at them bewildered and let her put her arm around his shoulders and guide him to a small waiting room set aside for their use. A uniformed officer guarded the door.

  Marooned, the boy sat on a vinyl chair next to a low table covered with ancient TV Week magazines. He hunched forward, his hands in his thick black hair, dry-eyed and waiting. His head seemed too large for his small body, his fine bones should not carry the weight. Grace looked at him bent over the table and squeezed him lightly on the shoulder, just once.

  ‘I’ll be right back, Matthew. You just hang in there,’ she said quietly, and stepped outside to call the boss.

  Harrigan’s voice came over the airways, thin and trivial through the compact instrument. ‘How’s the doc? Is she going to make it?’

  His question came over as the original throwaway line. She paused, glancing around at the busy, echoing corridor.

  ‘They don’t know. I’ve been told she’s going to be in surgery for quite a while and it could go either way.’ She drew a breath to stop the catch in her voice from becoming too apparent. ‘The boy’s talked to me but he’s not making much sense and he’s not going to last. If you want to talk to him today, it has to happen soon.’

  ‘I’ll be on my way over there as soon as I can get away. Just keep him with it.’

  ‘There is one thing he’s said. He thinks he knows why.’

  ‘Does he now? Okay. Be there shortly.’

  In the brief interim, Grace had gathered courage.

  ‘He shouldn’t be crowded,’ she said. ‘He won’t survive it.’

  ‘He shouldn’t be crowded,’ Harrigan repeated. ‘You don’t say. I never would have thought of that. Thank you, Grace.’

  Grace cut the connection on the edge of his sarcasm, thought to herself, you had to know, I had to say it, and dismissed him from her immediate concerns.

  She had thought the waiting room would be a haven but it attracted people like flies. Doctors came to offer unwanted sympathy, nurses to suggest sedatives, auxiliaries to supply drinks. ‘Keep them out,’ she told the guard at the door. A little later there was a knock and a tall Caucasian woman was ushered into the room. Grey-haired and sixty-something, she was straight-backed and old-fashioned in her dress, which was both elegant and conservative and included a hat and gloves. She carried an armful of neatly folded clothes; there might have been no such thing as suitcases or even plastic bags left in the world.

  ‘Miss Riordan? My name is Mrs Tsang. I am Agnes’s mother. I’ve been asked to come down here and be with Matthew. I understand you are with the police but I’m afraid I must ask you to leave now. I have to see my grandson alone. I have been told his clothes are very badly stained with blood and I want him to change them. We can’t do that while you are here.’

  She spoke in an authoritative, almost mechanical voice, without stopping for breath. Matthew Liu gave voice to a gasp of some kind and held his head in his hands.

  ‘Don’t go,’ he said.

  Grace had stood up.

  ‘I’m sorry, Mrs Tsang, but I can’t leave either of you. I have to stay with you both until someone else takes over from me.’

  As she spoke, Matthew suddenly shouted, outraged, ‘Why do you

  — why now? Mum’s dying! Why do you have to fucking think about that now?’

  He might have run at his grandmother if Grace had not held him back in his chair.

  ‘Don’t, Matthew. Let it go. Just stay calm,’ she said, holding onto him.

  The woman herself had stepped back quickly, her face white but emotionless. She stood there in confusion, hugging the clothes she was carrying. Harrigan, arriving unaccompanied, walked into the room, timing it perfectly to see the chaos. There was a brief silence in which the boy subsided in his chair and Mrs Tsang stared at Harrigan, shrugging graceful if ageing shoulders.

  ‘I do apologise,’ she said to him with perfect manners. ‘He should never use such language, certainly not in front of this young woman.

  It is always better to keep up an appearance. It will make things easier in the long run. But he won’t listen to me … ’

  ‘Do you want me to take those?’ he replied, unfazed by anything she had said. He took the armful of clothes from her and set them on the table. ‘Why don’t you sit down over here? Would you like some water?’

  Without argument, Mrs Tsang sat in a chair opposite Matthew. They did not look at each other, neither seemed to know what to do. Grace handed her a glass of water which she drained without stopping like an obedient child and then placed neatly and gently on the table. Harrigan sat near her and went through the etiquette, handing her his card.

  ‘I’m going to talk to your grandson now, Mrs Tsang. You understand, this could be upsetting for you. If it’s too much for you, you say so. Otherwise if you’d just like to sit there nice and quiet, that’d be the best thing. You need anything, you ask my officer here.

  She’ll get it for you. Anything at all.’

  His politeness combined the impossible with the normal, inviting them to accept that this was a completely usual situation, leaving the woman without an alternative.

  ‘Yes
, of course, I do understand. They told me … ’

  Unable to speak further, she gestured her agreement and sat still with her hands folded in her lap.

  ‘That’s good,’ he said. He turned to the boy and leaned forward.

  Grace placed her miniature cassette recorder on the table amongst the torn photographs of soap opera stars, considering how the way Harrigan had soothed everyone down allowed for no dissent, and jotted into her memory how he had reduced her to a nameless role to help him keep the peace. Unasked, she stayed beside Matthew. The boy took her hand and held onto her tightly.

  ‘I need you to take me through what happened, Matthew,’ Harrigan was saying. ‘Try and put it in some sort of order for me if you can. Take it as slow as you like.’

  The boy waited before speaking. Grace felt his small fingers wound into her own and thought that Harrigan had to feel for him as well, but how would you ever know?

  ‘I don’t know why she shot Dad. I think she just wanted Mum.

  That girl — I didn’t even see her, all of a sudden she was just there on the street. She shot Mum’ — Grace saw Mrs Tsang close her eyes —

  ‘and she sort of swung around and she shot Dad. It all took … two seconds? Then she went back into that shop on the other side of the road — it’s deserted, they used to sell peanuts there or something — I don’t think she even saw me until she turned around. I thought, she’s going to shoot me now. I don’t know why she didn’t. Why didn’t she?’

  He was shaking his head, wondering why he was still alive.

  ‘Don’t ask yourself why people do things like this, Matthew,’

  Harrigan replied. ‘You don’t want to know what they’re thinking. It’s not worth your time.’

  ‘A fucking girl. Killed my dad. For no reason. You know her hands

  — she had these gloves on but her hands were really shaking. It’s sort of mad, isn’t it? You wouldn’t think you’d notice anything but I could see her hands so clearly. She looked at me and I saw those mad eyes and that gun … ’

  Grace felt him squeeze harder on her hand as he rubbed his forehead. His face was thinned down with remembered terror and he was shaking.

  ‘It’s okay, Matthew,’ she said to him, looking at Harrigan, watching him wait his time.